APPLETON, Wisc. – Lawrence University sophomore David Smith, of Radford, thought he was on track to study cello in a conservatory.
But his final year in high school rerouted him.
“I kind of fell in love with math and physics in my senior year,” Smith said.
He then sought a college path that would allow him to study math and physics at a high level while remaining immersed in music. He found just that at Lawrence, where he is pursuing a double major in mathematics and physics while also being a fixture in the Conservatory of Music.
“I’ve played cello since I was five,” Smith said.
And he’s done it brilliantly – so much so that he was recently named the co-winner of the Conservatory’s annual Concerto Competition (along with junior Annika Schmidt). As a co-winner, he will now take to the Memorial Chapel stage to perform as a soloist with the Lawrence Symphony Orchestra (LSO) on March 8.
After more than a dozen years playing cello, Smith said he found the perfect balance at Lawrence. Drawn to the theoretical, math-heavy side of physics, switching focus from music to math was the right choice, he said. But that yearning to stay connected to his music didn’t go away.
“That is why I like Lawrence; I can participate in everything without having to be in the Conservatory,” Smith said. “I’m taking lessons, I’m going to studio, I’m in a bunch of chamber groups-I’m in the Con and I’m not.”
For the past year, Smith has focused his music on a single work: Ernest Bloch’s Cello Concerto. He will perform it in the March 8 LSO concert. It is fully titled “Schelomo: Rhapsodie Hebraique for Violoncello and Orchestra;” the immense title is matched by music of similar complexity.
“It’s unlike any other cello concerto that’s been written,” Smith said. “At least to me it is different than a lot of the standard repertoire that cellists play. … It’s kind of melismatic and, I wouldn’t say atonal, but uses a lot of dissonance and tension and release.”
Instead of a melody focus, the cellist works with the orchestra to evoke various moods. Despite Bloch’s original plan for a vocal soloist, Smith finds the work highly idiomatic for the cello.
“It was really written with cello in mind,” he said. “It’s just satisfying to play; there are a lot of very expressive sections where you can take as much time as you want and play with every aspect of it. There is a lot of creative freedom you can have.”
Smith has plans to study physics in graduate school but will not abandon the cello along the way, he said.
“I don’t see myself ever putting the cello down,” he said.
Lawrence University via Merit Pages
